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Photos of the First Annual
Tribute to Hank Williams Sr., |
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All of the songs were in English, but during the program host Barry Ancelet discussed some of the influences that Williams had on Cajun music and vice versa. The printed program notes provided further details. Williams spent a lot of time in Louisiana during his all-too-brief singing career. He appeared on Shreveport's Louisiana Hayride in the late 1940's, and, even after moving from Bossier City to Nashville, he returned to Louisiana to be part of the Hadacol Caravan, promoting Senator Dudley J. LeBlanc's famous medicinal potion. Using the tune to the Cajun song "Grand Texas," Williams wrote "Jambalaya," with "help from East Texas' Moon Mulligan, an entertainer familiar with the Cajun pathos. Vin Bruce, a Louisiana artist with Columbia Records, provided Hank with some of the Cajun-oriented lyrics to the song." The program notes added that a number of Williams' songs are now part of the South Louisiana repertoire, either translated into French for performances by Cajun and Zydeco musicians or performed with the original English lyrics by Swamp-Pop or country musicians. One of the performers that night, the legendary D.L. Menard, is known as the Cajun Hank Williams. Menard told the crowd that Williams' greatness came from his ability to write and sing music straight from the heart. The tune to Menard's trademark song, "La Porte d'en arrière," is adapted from Williams' "Honky Tonk Blues" (sung during the program by Camey Doucet). Like many of Williams' songs, "La Porte d'en arrière," was written quickly, telling a story that drew an immediate response from audiences. That ability to connect directly to a wide range of human emotions is shared by great country folk artists like Hank Williams and by the great French musicians of Southwest Louisiana like D.L. Menard. Menard sang Hank Williams songs that night like "Lonesome Whistle," "I'm so Lonesome I Could Cry," and "I Don't Care If Tomorrow Never Comes." Camey Doucet, his white hair covered by a cowboy hat most of the evening, sang "Why Don't You Love Me," "Your Cheatin' Heart," "Settin' the Woods on Fire" and other Williams hits. Terry Huval performed "Be Careful of Stones That You Throw," "Dear John," and others. Horace Trahan, who was playing zydeco later that night, had an early slot in the program with songs like "I'm a Long Gone Daddy," Wealth Won't Save Your Soul," and "Tramp in the Street," a song that, according to Ann Savoy (in notes to the latest Savoy-Doucet CD), was first popularized by Molly O'Day and subsequently cajunized by Nathan Abshire. The most remarkable performance of the evening came from Hugh Harris of Holden, a young man who does a dead-on impersonation of Hank Williams, capturing all of the nuances of Williams' voice. Harris sang "Cold, Cold Heart," "Long, Gone Lonesome Blues," "Half as Much," "Lost Highway," and other great hitseleven songs in all. Stage musicians were Gina Forsyth on fiddle, Terry Huval on steel guitar, Bobby Dumatrait on lead guitar, Randy Champagne on mandolin and guitar, Kenneth David on upright bass, and Tony Huval on drums. All of the musicians joined together for the opening number, "Jambalya," and for the last song, "I Saw the Light." It was truly a great evening of music in tribute to an American musician whose influence has extended around the world. Terry Huval, Hugh Harris, Gina Forsyth, and members of the Jambalaya Cajun Band recorded 10 numbers from the Tribute to Hank Williams Sr. on a CD in March 2001.
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All photographs and text by David Simpson. |